French Romanticism : Hamlet at the Théâtre de l’Odéon, Paris, in 1827 Chapitre d’ouvrage - 2016

Isabelle Schwartz-Gastine

Isabelle Schwartz-Gastine, « French Romanticism : Hamlet at the Théâtre de l’Odéon, Paris, in 1827  », in Bruce Smith (ed.), The Cambridge guide to the worlds of Shakespeare. Volume 2, The world’s Shakespeare 1660-Present, 2016, pp. 1058-1064. ISBN 978-0-521-11394-6

Abstract

FRENCH ROMANTICISM ON STAGE was prompted by several performances given by a company of English F actors at the Théâtre de l’Odéon in September 1827. Among other things, they played Hamlet and Romeo and Juliet, in which the very young actress who took on the female parts was Harriet Smithson. Smithson became famous overnight and was hailed by enthusiastic crowds of young artists as the representative of modernity over classicism. Hector Berlioz, young and still unknown, was mesmerized by her, particularly by her part in Hamlet, and called Smithson "his Ophelia." She became his source of inspiration and, later, his unhappy wife.

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